The Daśamahāvidyās — the ten great Tantric goddesses of the Śākta tradition — represent one of the most philosophically sophisticated cosmological systems produced by Hindu thought. Far from being a mere catalogue of deities, this group constitutes a systematic metaphysical schema in which a single, undivided consciousness — identified with Mahāśakti, the supreme feminine principle — fractures itself into ten distinct modal expressions, each articulating a different facet of ultimate reality. This paper investigates the theological, ontological, and soteriological dimensions of these ten vidyās — Kālī, Tārā, Tripura Sundarī, Bhuvaneśvarī, Bhairavī, Chhinnamastā, Dhūmāvatī, Bagalāmukhī, Mātaṅgī, and Kamalā — drawing on Tantric scripture, Śrīvidyā commentary, and the philosophical framework of Kashmir Śaivism. The central argument is that the Daśamahāvidyās do not represent ten separate goddesses but rather ten modal operations of a single self-aware ground, each mode encoding a precise metaphysical function within the drama of cosmic self-manifestation and self-concealment. .
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Anamika Yadav
426-438
10.5281/zenodo.20838741
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